Cromwellian soldiers desecrated four of diese, the contents of which were, at the restoration, placed in two new chests, those furthest away from the altar. Google Scholarġ68 The remains of Saxon Kings and Bishops, removed from the earlier Minster, were placed in eight chests on top of the newly erected sidescreens of the choir c.1525. Later the front of the grotto was moved by Samuel Wyatt to what is now known as the Park School House, when the low-relief sculptures were incorporated in the Italian garden loggia (Aubrey's Wiltshire Fiennes, Celia, Journeys Country Life, 07 / 08 1963, 206–9, 264–7. The gardens were totally reconstructed in mid eighteenth century, when the colonnade and grotto were moved to a new position east of the house. Inside were low-relief marble sculptures, said to have been brought from Italy. The front of the grotto had fine carvings in stone. The ‘nightingale song’ appears to refer to the noise made by water, producing ‘the melody of nightingerlls and all sort of birds’ (Celia Fiennes, c.1682). The grotto was in the centre of a colonnade, closing off the north side it contained elaborate waterworks, also described by Aubrey, and by Celia Fiennes, which were apparently designed to wet unsuspecting visitors. They extended on the south side of the house. The hall was destroyed by fire c.1705, apparently with all the pictures.ġ62 The gardens and grotto, which Schellinks describes, were created for the fourth Earl of Pembroke by Isaac de Gaus c.1632. The painting at Wilton House was seen amongst those in the Hall by Aubrey in his Natural History of Wiltshire, published posthumously in 1697, where he describes it as ‘a very large picture, and done by a great master, which the genius describes to William, the first earl of this family, and lookes on him, pointing to avarice, as to be avoyded by a noble person.’

Thomson, The Tablet of Kebes, 1909 Google Scholar, and Schleier, Reinhard, Tabula Cebetis…, Berlin, 1973) Google Scholar. The book was current at Schellinks's time, and translated into many languages (Dutch in 1615) it was in use as a school text book, and was the subject of many pictures (see e.g. The ‘Cebes tableau’ (Pinax) is a book, attributed to Cebes, a pupil of Socrates (see Plato, 's Phaedo Google Scholar), in which he describes a visit to the temple of Kronos (Saturn), where he sees a picture, an allegorical representation of the dangers and vicissitudes of life (comparable to Bunyan's Pilgrim's Progress), which is pointed out to him, scene by scene, by a venerable old man. Google Scholarġ61 The south range of Wilton House was rebuilt by John Webb with the advice of Inigo Jones, after a fire in 1647–8 (Pevsner-Cherry, BoE, Wiltshire). 1983, iii, 707 Google Scholar (with references to State papers) and The Visitations of Kent in 1663–1668, p. See also Henning, B.D., The House of Commons, 1660–1690, 3 vols. Minet, ‘Some unpublished plans of Dover harbour’, Archaeologia lxxii ( 1921– 1822), 185– 224 Google Scholar, a reference owed to Mrs P.M. His son, Walter, mentioned by Schellinks, succeeded him at Bridge, which was sold by his descendants in 1704. He bought the manor of Blackmanbury at Bridge near Canterbury and built there a mansion, described by Schellinks on 12 Sept. In 1660 he was knighted by the King (who was on his way to London) at Canterbury, and for a short time he was M.P. He was instrumental at the Restoration in ensuring Lawson's fleet came over to the King. 16 Arnold Braems (1602–81), descendant of a Flemish refugee, Dover merchant active in the development of Dover harbour, owner of wharves and warehouses, was a fervent Royalist who joined Prince Rupert's fleet with his own ship.

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